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Christmas Music Start-Date Tribunal Rules Against November 1st Deployment of ‘All I Want for Christmas Is You’

Listen to this articleThe Christmas Music Start-Date Tribunal issued a landmark ruling Thursday, finding that radio station K cheer 104.7’s November 1st deployment of “All I Want for Christmas Is You” constituted “a premature auditory assault on a populace still digesting Halloween candy.” “The tribunal recognizes the cultural significance of the song,” said Chief Adjudicator […]

Christmas Music Start-Date Tribunal Rules Against November 1st Deployment of ‘All I Want for Christmas Is You’
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The Christmas Music Start-Date Tribunal issued a landmark ruling Thursday, finding that radio station K cheer 104.7’s November 1st deployment of “All I Want for Christmas Is You” constituted “a premature auditory assault on a populace still digesting Halloween candy.”

“The tribunal recognizes the cultural significance of the song,” said Chief Adjudicator Patricia Loomis, reading from the 18-page decision. “We also recognize that November 1st is, by every calendar in existence, not Christmas. The station began its all-holiday format 54 days before the holiday. Fifty-four days. That is not a format. That is a siege.”

The case was brought by the Coalition for Seasonal Sanity, a citizens’ group that presented evidence including a timestamped playlist, 214 listener complaints, and what the coalition’s attorney called “Exhibit M” — a recording of a grocery store cashier audibly sighing when the song’s opening sleigh bells played over the produce section at 9:12 a.m. on November 1st.

“I hadn’t even thrown away my jack-o’-lantern,” testified coalition member Doug Fenton, 47. “It was still on my porch. Slightly collapsed, one eye caved in, and Mariah Carey is telling me all she wants for Christmas is me. I don’t know this woman. It was too much, too soon.”

The station’s defense — that listener ratings spike the moment the holiday format begins — was acknowledged but dismissed. “Popularity is not propriety,” Loomis wrote. “By that logic we would permit fireworks in February.”

Under the ruling, the station must cease all-holiday programming until the tribunal’s approved start date, refrain from playing the song in question more than once per hour once the season begins, and air a 30-second public service announcement in which the station manager personally apologizes to “everyone who heard sleigh bells before they’d finished their fun-size Snickers.”

The smooth-jazz loophole dates to a 2019 tribunal footnote in which a young adjudicator — now Chief Adjudicator Loomis herself — wrote that “no reasonable person has ever been harmed by a vibraphone.” The station’s program director is said to be weighing an appeal but privately admits the ruling “has a certain moral clarity.” In the meantime, the station’s November playlist has been replaced with what staff call “the waiting music”: 54 days of soft jazz, weather updates, and one trombone.

The tribunal did carve out one exemption: instrumental jazz renditions of holiday standards remain permissible year-round, a provision Loomis described as “the smooth-jazz loophole, and we are as surprised as anyone that it exists.” The station has 10 days to appeal. Its program director declined comment, though sources say the opening sleigh bells were audible from his office.

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